Miss Anna Karina: the one whom Godard ‘s camera really loved

Miss Anna Karina: the one whom Godard ‘s camera really loved

MissAnnaKarina:theonewhomGodard’scamerareallyloved
Forfilmmakers,theFrenchNewWaveisadream-likename.Itrepresentsanextremeperiod.Itseemsthatinthatera,youngpeoplecanfreelyobtaintherighttoshootmoviesandpresenttheirstoriesonthescreenintheirlanguage.Beforeandafterthis,evenanymoviemovementinthefuturewillnotbeasromanticasthenewwaveofFrance.ThedeathofAnnaKarinaseemstoremindusthatweareonestepawayfromthatbeautifulera.>>>AnnaKarina,theiconoftheFrenchnewwavemovie,passedaway.Attheageof79,AnnaKarina’smostwell-knownidentitywasMuseofGodardandawife.Nomatterinanycorneroftheworld,maledirectorsandfemalestarsareentangled,leavingbehindcountlesslegends.AnnaKarinafirstappearedinthefilmindustry.Sheplayedacomedyrolein”TonightToForever”directedbyMichelleDevillein1961.AnnaKarinainTheLittleSoldier.Infact,thefirstfilmshestarredinwasGodard’s”Soldier”,butthefilmwasonlyreleasedthreeyearslaterduetocensorshipissues.AnnaKarinamarriedGodardin1961,andtheyworkedtogetheronatotalof7movies.Itcanbesaidthatthestateoftheirloveisreflectedinthemoviecreationprocess,”LittleSoldier”isregardedas”iflifeisonlythefirsttime”,theactorandfriendsinthefilmbet,ifhefirstfellinloveFortheroleplayedbyAnnaKarina,givehimfiftydollars.AfterAnnaKarinaleft,hegavehisfriendfiftydollarswithoutsayingaword.Bythetime”womanisawoman”,itwasalreadytheclimaxoftwopeople’slove.Notonlyisthecharacterextremelyclosetoherowncharacteristics,butalsomadeherafashionicon,whichmagnifiedherstartemperament.ThisfilmalsogaveAnnaKarinathebestactressattheBerlinFilmFestival,andthismomentrepresentstheirformerloveintheeternalpalace.Godardoncesaidbluntlythatthefilm”WomenareWomen”wasnotusedtounderstand,becauseitdidnotconveyanymessageatall,hejust”simplyhopedthatthefilmcanprovidepleasuretopeople.”ForGodalatthetime,thispleasureshouldbethepleasureofAnnaKarinalove.”Womanisawoman”stills.FrenchfilmhistorianscalltheloveoftwopeopleakindofrestorationofHollywoodtradition.IntheearlydaysofHollywood,itwastruethattheworkingmodeofthehusbandandwifeofmaledirectorsandactresses,suchasvonSternbergandMarleneDeli.AfterGodardandAnnaKarina,therearemoreEuropeanfilmmakerscreatinginthiscombination,themostfamousofwhichisFelliniandJulietaMassina.Duringthenewwave,thereweremanyfemalestarswhobecameeternalfacesonthescreen,likeJeanneMoro,JaneSiboandsoon.Butnoneofthem,likeAnnaKarina,influencedthecreationofagenerationofmoviemasterGodardwithheruniquestartemperament.Shetrulyintegratedintothishistoryandbecamepartofthenewwavestyle.Thisinfluenceispositiveandpositive,andithasbeenappreciatedandaffirmedatthemomentofthetime.UnliketheworkstakenbyIngridBergmanandRosselliniafterelopement,theywonclassicstatusafteralongperiodof”rehab”.AnnaKarinaandGodard.TuyuanNetworkWhenwelookbackatthemanyfacesbelongingtothenewwavetoday,wemustnotloseAnnaKarina.Wecan’tsaythatsheisthegreatestactorofthenewwave,butatleastIcanrememberthatsheistheonethatGodard’scamerareallyloves.□Ear(filmcritic)editorofSaunaNightNetWuLongzhenProofreadingLiuBaoqing